Adding a Paragraph here
A “pursuit of the unknown” grounds Annalise Neil’s practice. An enduring curiosity and a desire to find answers shape both her approach to and the form of her works, which layer watercolor accents atop cyanotypes. The pieces depict the unassuming and magnificent, “the tender yet muscular emergence of mushrooms from soil, the brittle and also supple curve of a snail’s shell, the translucent husk of a crinoid on the beach.”
Constructed with hundreds of hand-cut negatives, the composites veil flora and fauna in shades of blue, evoking the color’s ubiquity within the natural world and the mysteries humans have yet to uncover. Lined with yellow or rusty-colored pigments, the works feature familiar subject matter with positions and scale that veer toward the surreal: large hands descend upon an arid desert landscape, birds escape from a trio of shapes that evoke a mushroom cloud, and flowers, butterflies, and dewy spores encircle a central bloom.