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@misc{freestomp,
title={devi ever IMPROBABIlITY DRIVE (traced)},
url={http://freestompboxes.org/viewtopic.php?f=7&t=18157&p=249393&hilit=improbability+drive#p249393},
urldate={2015},
year={2012},
author={freestompboxes}
}
@misc{collinsdevila,
title={Devil's Music History},
url={http://www.nicolascollins.com/texts/devilsmusichistory.pdf},
year={2009},
author={Collins, Nicolas}
}
@misc{collinsdevilb,
title={Devil's Music},
url={http://www.nicolascollins.com/devilsmusictracks.htm},
year={2009},
author={Collins, Nicolas}
}
@misc{leonardo,
title={Composers Inside Electronics: Music After Davi Tudor},
url={http://leonardo.info/isast/journal/toclmj14.html},
urldate={2015},
year={2004},
author={Collins (Ed.), Nicolas}
}
@misc{jbwc,
title={Yes We Can. But Should We?},
url={https://medium.com/re-form/just-because-you-can-doesnt-mean-you-should-252fdbcf76c8},
urldate={2015},
year={2014},
author={Arieff, Allison}
}
@article{collins2012,
title={Semiconducting: Making Music After the Transistor},
author={Collins, Nicolas},
journal={Semin{\'a}rio M{\'u}sica Ci{\^e}ncia Tecnologia},
volume={1},
number={4},
year={2012}
}
@book{pinch2011,
title={The Oxford handbook of sound studies},
author={Pinch, Trevor and Bijsterveld, Karin},
year={2011},
publisher={Oxford University Press}
}
@misc{emi,
title={Experimental Musical Instruments Magazine},
url={http://windworld.com/features/back-issues/},
urldate={2015},
year={2015},
author={Experimental Musical Instruments}
}
@misc{rylan2011,
title={Personal Synthesizer},
url={http://vagueterrain.net/journal19/jessica-rylan/01},
year={2011},
urldate={retrieved 2015},
author={Rylan, Jessica}
}
@misc{githubm,
title={ARM-based black death future},
url={https://github.com/microresearch/dark-interpreter},
urldate={2015},
year={2013},
author={Howse, Martin}
}
@misc{ardcodeb,
title={Third part code repository for Ardcore module by },
url={https://github.com/Magnus-G/Ardcore},
urldate={2015},
year={2011},
author={Magnus, G.}
}
@misc{ardcode,
title={Code repository for Ardcore module by Darwin Grosse},
url={https://github.com/darwingrosse/ArdCore-Code},
urldate={2015},
year={2011},
author={Grosse, Darwin}
}
@misc{wilson2015,
title={Weird Sound Generator},
url={http://www.musicfromouterspace.com/index.php?MAINTAB=SYNTHDIY&PROJARG=WSG2010/wsg_page1.html&CATPARTNO=WSG001},
urldate={2015},
year={2015},
author={Wilson, Ray}
}
@misc{beavis2015b,
title={Schematic: Electro-Harmonix Muff Fuzz, Transistor Version},
url={http://www.beavisaudio.com/schematics/Electro-Harmonix-Muff-Fuzz-Transistor-Schematic.htm},
urldate={2015},
year={2012},
author={BeavisAudio}
}
@misc{taylan,
title={Taylan Cihan, Musician},
url={http://www.taylancihan.com/},
urldate={2015},
year={2015},
author={Cihan, Taylan}
}
@misc{freestomp2,
title={Dwarfcraft Devices - Robot Devil},
url={http://freestompboxes.org/viewtopic.php?f=7&t=18344&hilit=robot+devil},
urldate={2015},
year={2012},
author={freestompboxes}
}
@misc{henry,
title={The 8038 Audio Generator Project},
url={http://www.birthofasynth.com/Thomas_Henry/Pages/8038.html},
urldate={2015},
year={2010},
author={Henry, Thomas}
}
@book{dunn2001,
title={Nature, sound art, and the sacred},
author={Dunn, David},
journal={The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts},
pages={95--107},
year={2001},
publisher={Wesleyan University Press: Middletown, CT, USA}
}
@article{piper2010,
title={Simple autonomous chaotic circuits},
author={Piper, Jessica Rylan and Sprott, Julien Clinton},
journal={Circuits and Systems II: Express Briefs, IEEE Transactions on},
volume={57},
number={9},
pages={730--734},
year={2010},
publisher={IEEE}
}
@book{wiener1965,
title={Cybernetics or Control and Communication in the Animal and the Machine},
author={Wiener, Norbert},
year={1965},
publisher={MIT press}
}
@misc{theremin1928,
title={Method of and Apparatus for the Generation of Sounds},
author={Theremin, Leo},
year={1928},
month={February},
publisher={US Patents Office},
note={US Patent 1,661,058}
}
@misc{cahill1919,
title={Art of and apparatus for generating and distributing music electrically.},
author={Cahill, Thaddeus},
year={1919},
month={February},
publisher={US Patents Office},
note={US Patent 1,295,691}
}
@book{cage1961,
title={Silence. Middletown},
author={Cage, John},
year={1961},
publisher={Wesleyan University Press}
}
@book{holmes2002,
title={Electronic and experimental music: pioneers in technology and composition},
author={Holmes, Thomas B.},
year={2002},
publisher={Psychology Press}
}
@phdthesis{armstrong2006,
title={An enactive approach to digital musical instrument design},
author={Armstrong, Newton},
year={2006},
school={Princeton University}
}
@article{barbour1998,
title={The cool sound of tubes [vacuum tube musical applications]},
author={Barbour, Eric},
journal={Spectrum, IEEE},
volume={35},
number={8},
pages={24--35},
year={1998},
publisher={IEEE}
}
@book{braun2000,
title={Music and technology in the twentieth century},
author={Braun, Hans-Joachim},
year={2000},
publisher={JHU Press}
}
@article{christensen2005,
title={The industrial dynamics of Open Innovation—Evidence from the transformation of consumer electronics},
author={Christensen, Jens Fr{\o}slev and Olesen, Michael Holm and Kj{\ae}r, Jonas Sorth},
journal={Research policy},
volume={34},
number={10},
pages={1533--1549},
year={2005},
publisher={Elsevier}
}
@phdthesis{cluett2013,
title={Loud speaker: Towards a component theory of media sound},
author={Cluett, Seth Allen},
year={2013},
school={Princeton University}
}
@article{collins2008,
title={A Solder's Tale: Putting the" Lead" Back in" Lead Users"},
author={Collins, Nicolas},
journal={IEEE Pervasive Computing},
volume={7},
number={3},
pages={32--38},
year={2008}
}
@article{dunn1992,
title={A History of Electronic Music Pioneers},
author={Dunn, David},
journal={ders.(Hrsg.), Eigenwelt der Apparate-Welt.(Katalog), Linz},
pages={21--62},
year={1992}
}
@book{dunne2005,
title={Hertzian tales: Electronic products, aesthetic experience, and critical design},
author={Dunne, Anthony},
year={2005},
publisher={MIT press Cambridge}
}
@book{evens2005,
title={Sound ideas: Music, machines, and experience},
author={Evens, Aden},
volume={27},
year={2005},
publisher={U of Minnesota Press}
}
@inproceedings{feldman2007,
title={Integrating technology obsolescence considerations into product design planning},
author={Feldman, Kiri and Sandborn, Peter},
booktitle={ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference},
pages={981--988},
year={2007},
organization={American Society of Mechanical Engineers}
}
@mastersthesis{haslett2005,
title={Triangle Combs\# 1: Music for a New Electro-acoustic Instrument},
author={Haslett, William},
year={2005},
school={Dartmouth College}
}
@article{hamm1973,
title={Tubes versus Transistors: is there an Audible Difference?},
author={Hamm, Russell},
journal={Journal of the audio engineering society},
volume={21},
number={4},
pages={267--273},
year={1973},
publisher={Audio Engineering Society}
}
@article{hermans2014,
title={Convergent Technologies, Custom Aesthetics},
author={Hermans, Phillip},
journal={Leonardo Music Journal},
volume={24},
year={2014},
publisher={MIT Press}
}
@article{hertz2012,
title={Zombie media: Circuit bending media archaeology into an art method},
author={Hertz, Garnet and Parikka, Jussi},
journal={Leonardo},
volume={45},
number={5},
pages={424--430},
year={2012},
publisher={MIT Press}
}
@book{kettelkamp1984,
title={Electronic Musical Instruments: What They Do, how They Work},
author={Kettelkamp, Larry},
year={1984},
publisher={W. Morrow}
}
@misc{jackson2014,
title={Rethinking repair},
author={Jackson, Steven J},
journal={Media technologies: Essays on communication, materiality, and society},
year={2014},
publisher={MIT Press}
}
@mastersthesis{mellis2011,
title={Case studies in the digital fabrication of open-source consumer electronic products},
author={Mellis, David A},
year={2011},
school={Massachusetts Institute of Technology}
}
@inproceedings{mellis2014,
title={Do-it-yourself cellphones: an investigation into the possibilities and limits of high-tech DIY},
author={Mellis, David A and Buechley, Leah},
booktitle={Proceedings of the 32nd annual ACM conference on Human factors in computing systems},
pages={1723--1732},
year={2014},
organization={ACM}
}
@article{paradiso2008,
title={Hacking is pervasive},
author={Paradiso, Joseph A and Heidemann, John and Zimmerman, Thomas G},
journal={Pervasive Computing, IEEE},
volume={7},
number={3},
pages={13--15},
year={2008},
publisher={IEEE}
}
@mastersthesis{perner2011,
title={A kit-of-no-parts},
author={Perner-Wilson, Hannah Hannah Rosamonde},
year={2011},
school={Massachusetts Institute of Technology}
}
@article{pinch2001,
title={Why do you go to a music store to buy a synthesizer: path dependence and the social construction of technology},
author={Pinch, Trevor},
journal={Path Dependence and Creation},
pages={381--400},
year={2001},
publisher={Lawrence Earlbaum Associates, London}
}
@article{riis2013,
title={The media archaeological repairman},
author={Riis, Morten},
journal={Organised Sound},
volume={18},
number={03},
pages={255--265},
year={2013},
publisher={Cambridge Univ Press}
}
@misc{rovan2009,
title= {Living on the Edge: Alternate Controllers and the Obstinate Interface},
author={Rovan, Joseph "Butch"},
journal= {Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies},
publisher={Palgrave Macmillan},
year={2009}
}
@inproceedings{silver2009,
title={Nature as interface: MacGyver'ing and Martha-Stewart'ing interactivity with trees, pencils, grandpa, even the kitchen sink},
author={Silver, Jay S},
booktitle={Proceedings of the seventh ACM conference on Creativity and cognition},
pages={483--484},
year={2009},
organization={ACM}
}
@book{vinck2003,
title={Everyday engineering: An ethnography of design and innovation},
author={Vinck, Dominique and Blanco, Eric},
year={2003},
publisher={MIT Press}
}
@article{williams2012,
title={Research with a hacker ethos: what DIY means for tangible interaction research},
author={Williams, Amanda and Gibb, Alicia and Weekly, David},
journal={interactions},
volume={19},
number={2},
pages={14--19},
year={2012},
publisher={ACM}
}
@article{frey2013,
title={Acoustical Impulse Response Functions of Music Performance Halls},
author={Frey, Douglas and Coelho, Victor and Rangayyan, Rangaraj M},
journal={Synthesis Lectures on Speech and Audio Processing},
volume={9},
number={2},
pages={1--110},
year={2013},
publisher={Morgan \& Claypool Publishers}
}
@article{ghazala2004,
title={The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut},
author={Ghazala, Qubais Reed},
journal={Leonardo Music Journal},
volume={14},
pages={97--104},
year={2004},
publisher={MIT Press}
}
@inproceedings{bowers2005,
title={Not hyper, not meta, not cyber but infra-instruments},
author={Bowers, John and Archer, Phil},
booktitle={Proceedings of the 2005 conference on New interfaces for musical expression},
pages={5--10},
year={2005},
organization={New Interfaces for Musical Expression}
}
@article{hertz2009,
title={Methodologies of Reuse in the Media Arts: Exploring Black Boxes, Tactics and Archaeologies},
author={Hertz, Garnet},
journal={Digital Arts and Culture 2009},
year={2009}
}
@article{richards2008,
title={Getting the hands dirty},
author={Richards, John},
journal={Leonardo Music Journal},
volume={18},
pages={25--31},
year={2008},
publisher={MIT Press}
}
@article{ariza2007,
title={Automata bending: Applications of dynamic mutation and dynamic rules in modular One-Dimensional cellular automata},
author={Ariza, Christopher},
journal={Computer Music Journal},
volume={31},
number={1},
pages={29--49},
year={2007},
publisher={MIT Press}
}
@article{von1961,
title={Classification of musical instruments: Translated from the original german by anthony baines and klaus p. wachsmann},
author={von Hornbostel, Erich M and Sachs, Curt},
journal={The Galpin Society Journal},
pages={3--29},
year={1961}
}
@article{blikstein2013,
title={Digital fabrication and ‘making’in education: The democratization of invention},
author={Blikstein, Paulo},
journal={FabLabs: Of Machines, Makers and Inventors},
pages={1--21},
year={2013}
}
@article{collins2004,
title={Composers inside electronics: Music after david tudor},
author={Collins, Nicolas},
journal={Leonardo Music Journal},
volume={14},
number={1},
pages={iv--1},
year={2004},
publisher={The MIT Press}
}
@book{collins2006,
title={Handmade Electronic Music: the Art of Hardware Hacking},
author={Collins, Nicolas},
year={2006},
publisher={Taylor \& Francis}
}
@article{collins2010,
title={Improvisation},
author={Collins, Nicolas},
journal={Leonardo Music Journal},
volume={20},
pages={7--9},
year={2010},
publisher={MIT Press}
}
@article{dunbar2010,
title={Listening to Cybernetics Music, Machines, and Nervous Systems, 1950-1980},
author={Dunbar-Hester, Christina},
journal={Science, technology \& human values},
volume={35},
number={1},
pages={113--139},
year={2010},
publisher={Sage Publications}
}
@article{driscoll2004,
title={David Tudor's Rainforest: An Evolving Exploration of Resonance},
author={Driscoll, John and Rogalsky, Matt},
journal={Leonardo Music Journal},
volume={14},
pages={25--30},
year={2004},
publisher={MIT Press}
}
@book{ghazala2005,
title={Circuit-bending: build your own alien instruments},
author={Ghazala, Reed},
year={2005},
publisher={Wiley Pub.}
}
@article{harzing2008,
title={Google Scholar-a new data source for citation analysis},
author={Harzing, Anne-Wil},
journal={University of Melbourne},
year={2008}
}
@inproceedings{hoadley2010,
title={Implementation and development of interfaces for music performance through analysis of improvised dance movements},
author={Hoadley, Richard},
booktitle={Audio Engineering Society Convention 128},
year={2010},
organization={Audio Engineering Society}
}
@phdthesis{holzaepfel1994,
title={David Tudor and the performance of American experimental music, 1950-1959},
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