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galatians-2-15-20a.ly
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\language "english"
\version "2.18.2"
#(define (line-break-every-nth-engraver bars-per-line)
(lambda (context)
(make-engraver
(acknowledgers ((paper-column-interface engraver grob source-engraver)
(let ((current-bar (ly:context-property context 'currentBarNumber)))
(if (= (remainder current-bar bars-per-line) 1)
(if (eq? #t (ly:grob-property grob 'non-musical))
(set! (ly:grob-property grob 'line-break-permission) 'force)
(set! (ly:grob-property grob 'line-break-permission)
'())))))))))
\header {
title = "Galatians 2:15-20a"
subtitle = "New Century Version"
composer = "Jason Silver"
arranger = " "
poet = ""
copyright = "Silver Ink. 2021"
tagline = "Permission granted to share with attribution."
}
\paper {
top-margin = 8\mm
bottom-margin = 4\mm
right-margin = 10\mm
left-margin = 10\mm
indent = 0\mm
min-systems-per-page = 9 % this allows you to squish line spacing
% the distance between two systems in the same score:
system-system-spacing = #'((basic-distance . 10 ) (minimum-distance . 0) (padding . -.0 ) (stretchability . 00))
% the distance between the last system of a score and the first system of the score that follows it, when no (title or top-level) markup exists between them:
score-system-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . -10) (stretchability . 0))
% the distance between a (title or top-level) markup and the system that follows it:
markup-system-spacing = #'((basic-distance . 0) (padding . -5) (stretchability . 0))
% the distance between the last system of a score and the (title or top-level) markup that follows it:
score-markup-spacing = #'((basic-distance . 0) (padding . -15) (stretchability . 0))
% the distance between two (title or top-level) markups:
markup-markup-spacing = #'((basic-distance . 0) (padding . -2))
% the distance from the top of the printable area (i.e. the bottom of the top margin) to the first system on a page, when there is no (title or top-level) markup between the two:
top-system-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
% the distance from the top of the printable area (i.e. the bottom of the top margin) to the first (title or top-level) markup on a page, when there is no system between the two:
top-markup-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
% the distance from the last system or top-level markup on a page to the bottom of the printable area (i.e. the top of the bottom margin):
last-bottom-spacing = #'((basic-distance . 0 ) (minimum-distance . 0) (padding . -.5) (stretchability . 0))
paper-width = 21.59\cm
paper-height = 27.94\cm
}
slashOn = {
\override Rest #'stencil = #ly:percent-repeat-item-interface::beat-slash
\override Rest #'thickness = #'0.48
\override Rest #'slope = #'1.2
\override Rest #'Y-offset = #'-.0
}
slashOff = {
\revert Rest #'stencil
}
LyricFontSize = #.5
lyricNote = {
% use \once \set melismaBusyProperties = #'(tieMelismaBusy) on the tie where the note sits
\once \override Lyrics.LyricText.font-shape = #'italic
\once \override Lyrics.LyricText.font-size = #.2
\once \override LyricText.self-alignment-X = #LEFT
}
lyricNotePlacement = {
\once \override NoteHead.stencil = #ly:text-interface::print
\once \override NoteHead.text = \markup \musicglyph #"rests.2"
\once \hide Stem
}
sectionTitle = #(define-music-function
(parser location theTitle)
(string?)
#{
\mark \markup { \large \bold \concat { " " #theTitle } }
#}
)
textRepeats = #(define-music-function
(parser location theTitle)
(string?)
#{
\once \override Score.RehearsalMark #'break-visibility = #'#(#t #t #f)
\mark \markup { \right-align \small #theTitle }
#}
)
GotoCoda = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#t #t #f)
\mark \markup { \small \musicglyph #"scripts.coda" }
}
Coda = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#f #t #t)
\mark \markup { \small \musicglyph #"scripts.coda" }
}
Segno = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#f #t #t)
\mark \markup { \small \musicglyph #"scripts.segno" }
}
chExceptionMusic = {
<c d e g>1-\markup { "2" } % notate as 1.2.3.5
<c f g>1-\markup {"sus"}
<c a d g>1-\markup { "m2" } % 1.6.2.
<c e g d'>1-\markup { \super "add9" } % 1.3.5.9
<c ef g d'>1-\markup { "m" \super "add9" } % 1.3.5.9
}
chExceptions = #(append (sequential-music-to-chord-exceptions chExceptionMusic #t) ignatzekExceptions)
chordNames = \chordmode {
\set chordNameExceptions = #chExceptions
\set chordChanges = ##t % ##t(true) or ##f(false)
\set Staff.midiInstrument = #"string ensemble 1"
f4. ef8~ef2 | bf4.:/d c8:/e~c2/e | f4. ef8~ef2 | bf4.:/d c8:/e~c2/e
f4. ef8~ef2 | bf4.:/d c8:/e~c2/e | f4. ef8~ef2 | bf4.:/d c8:/e~c2/e
bf4.:6/d c8:/e~c2:/e |f4. g8:m~g2:m | ef4. f8~f2
% Alternative 2:
bf4.:6/d c8:/e~c2:/e g4.:m9 a8:m7~a2:m7 bf4.:maj7 c8:7~c2:7
f4. f8~f2 ef4. f8:1.2.3.5~f2:1.2.3.5
f4. a8:m7~a2:m7 bf4.:maj7 bf8:/c~bf2:/c f4. a8:m7~a2:m7 bf4.:maj7 bf8:/c~bf2:/c
f4. a8:m7~a2:m7 bf4.:maj7 f8:/a~f2:/a ef1 bf4.:/c c8:7~c2:7
f4. a8:m7~a2:m7 bf4.:maj7 bf8:/c~bf2:/c f4. a8:m7~a2:m7 bf4.:maj7 bf8:/c~bf2:/c
f4. a8:m7~a2:m7 bf4.:maj7 f8:/a~f2:/a ef1 bf4.:/c c8:7~c2:7
}
melody = \relative c'{
\set Staff.midiInstrument = #"acoustic grand"
% \set melismaBusyProperties = #'()
\time 4/4
\key f \major
\clef treble
\tempo 4 = 100
\override Score.MetronomeMark.padding = #3
\repeat volta 2{
r8 a' g g~g f f d~d f4 d8~d c c bf c2 r2 | r1 |
r8 a' g g~g f f d~d f4 d8~d c c bf c2 r8 f g a~a bf a g~g f g a~
}
\alternative {
{ a8 bf a g~g f4 f8~ f2 r2 | \improvisationOn f4. f8~f2 \improvisationOff }
{ a8\repeatTie bf a g~g f4 a8(~a bf) a g~g f( g) a~a bf a g~(g f~f4) }
}
\bar "||" \break
\improvisationOn f4. f8~f2 f4. f8~f8 \improvisationOff a( bf) c~
\bar "||"
c2 r8 a bf c~c2 r8 a bf c~c2~c8 a4 f8~f a4 f8~f a bf c~c2 r8 a bf c~c f, f f g a4 g8~g2 r2 | r2 r8 a bf c~
c2 r8 a bf c~c4 r8 f, a bf c c~c2~c8 a4 f8~f a4 f8~f a bf c~c2 r8 a bf c~c f, f f g a4 g8~g2 r8 g a g~g2 r2
\bar ":|."
}
nothing = \lyricmode {}
verseone = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "1."
We're not born as non -- Jew -- ish “sin -- ners,” but as Jews.
Yet we know that a per -- son is made right with God
Not by fol -- l'wing the law,
but by trust -- ing in Je -- sus Christ.
}
versetwo = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "2."
So we, too, have put our faith in Je -- sus _ Christ,
that we're made right with God since we trust -- ed in Christ.
Not from fol -- l'wing the law, be -- cause no
_ _ _ _ _ _ _ _ one can be made
right with God by fol -- l'wing the law.
_ _ _ _ We Jews came to Christ,
try'n to be __ made right with God,
and it all be -- came clear that we are sinn -- ers, too.
Does this mean that the Christ en -- cour -- ag -- es sin?
No way! But I
would be wrong to be -- gin teach -- ing a -- gain those things I gave up.
}
versethree = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "3."
'Twas the law that put me to death, and so I died
to the law so that I can now, biw live for God.
Put to death on the cross, died with Christ,
_ _ _ _ _ _ _
_ and I do not live_a -- ny -- more— it_is Christ who __ _ lives in_me.
}
versefour = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "3."
}
versefive = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "4."
}
versesix = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
}
verseseven = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
}
verseeight = \lyricmode {
}
\score {
<<
\new ChordNames \with {midiInstrument = #"acoustic grand"} {
\chordNames
}
\new Staff
<<
\new Voice = "one" {
\melody
}
\addlyrics {
\verseone
}
\addlyrics {
\versetwo
}
\addlyrics {
\versethree
}
\addlyrics {
\versefour
}
\addlyrics {
\versefive
}
\addlyrics {
\versesix
}
\addlyrics {
\verseseven
}
\addlyrics {
\verseeight
}
>>
>>
\layout {
#(layout-set-staff-size 20)
\context {
\Score
% \override NonMusicalPaperColumn #'line-break-permission = ##f
%\consists #(line-break-every-nth-engraver 4)
}
}
\midi { }
}