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galatians-3-15-18.ly
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\language "english"
\version "2.18.2"
#(define (line-break-every-nth-engraver bars-per-line)
(lambda (context)
(make-engraver
(acknowledgers ((paper-column-interface engraver grob source-engraver)
(let ((current-bar (ly:context-property context 'currentBarNumber)))
(if (= (remainder current-bar bars-per-line) 1)
(if (eq? #t (ly:grob-property grob 'non-musical))
(set! (ly:grob-property grob 'line-break-permission) 'force)
(set! (ly:grob-property grob 'line-break-permission)
'())))))))))
\header {
title = "Galatians 3:15-18"
subtitle = "New Century Version"
composer = "Jason Silver"
poet = ""
copyright = "Silver Ink. 2021"
tagline = "Permission granted to share with attribution."
}
\paper {
top-margin = #10
bottom-margin = #4
right-margin = #12
left-margin = #12
indent = #0
min-systems-per-page = 12 % this allows you to squish line spacing
% the distance between two systems in the same score:
system-system-spacing = #'((basic-distance . 2 ) (minimum-distance . 0) (padding . -.59 ) (stretchability . 00))
% the distance between the last system of a score and the first system of the score that follows it, when no (title or top-level) markup exists between them:
score-system-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0) (stretchability . 0))
% the distance between a (title or top-level) markup and the system that follows it:
markup-system-spacing = #'((basic-distance . 0) (padding . -6) (stretchability . 0))
% the distance between the last system of a score and the (title or top-level) markup that follows it:
score-markup-spacing = #'((basic-distance . 0) (padding . -5) (stretchability . 0))
% the distance between two (title or top-level) markups:
markup-markup-spacing = #'((basic-distance . 0) (padding . 0))
% the distance from the top of the printable area (i.e. the bottom of the top margin) to the first system on a page, when there is no (title or top-level) markup between the two:
top-system-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
% the distance from the top of the printable area (i.e. the bottom of the top margin) to the first (title or top-level) markup on a page, when there is no system between the two:
top-markup-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
% the distance from the last system or top-level markup on a page to the bottom of the printable area (i.e. the top of the bottom margin):
last-bottom-spacing = #'((basic-distance . 0 ) (minimum-distance . 0) (padding . 0) (stretchability . 0))
paper-width = 21.59\cm
paper-height = 27.94\cm
}
slashOn = {
\override Rest #'stencil = #ly:percent-repeat-item-interface::beat-slash
\override Rest #'thickness = #'0.48
\override Rest #'slope = #'1.2
\override Rest #'Y-offset = #'-.0
}
slashOff = {
\revert Rest #'stencil
}
LyricFontSize = #.5
lyricNote = {
% use \once \set melismaBusyProperties = #'(tieMelismaBusy) on the tie where the note sits
\once \override Lyrics.LyricText.font-shape = #'italic
\once \override Lyrics.LyricText.font-size = #.2
\once \override LyricText.self-alignment-X = #LEFT
}
lyricNotePlacement = {
\once \override NoteHead.stencil = #ly:text-interface::print
\once \override NoteHead.text = \markup \musicglyph #"rests.2"
\once \hide Stem
}
sectionTitle = #(define-music-function
(parser location theTitle)
(string?)
#{
\mark \markup { \large \bold \concat { " " #theTitle } }
#}
)
textRepeats = #(define-music-function
(parser location theTitle)
(string?)
#{
\once \override Score.RehearsalMark #'break-visibility = #'#(#t #t #f)
\mark \markup { \right-align \small #theTitle }
#}
)
GotoCoda = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#t #t #f)
\mark \markup { \small \musicglyph #"scripts.coda" }
}
Coda = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#f #t #t)
\mark \markup { \small \musicglyph #"scripts.coda" }
}
Segno = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#f #t #t)
\mark \markup { \small \musicglyph #"scripts.segno" }
}
chExceptionMusic = {
<c d e g>1-\markup { "2" } % notate as 1.2.3.5
<c f g>1-\markup {"sus"}
<c a d g>1-\markup { "m2" } % 1.6.2.
<c e g d'>1-\markup { \super "add9" } % 1.3.5.9
<c ef g d'>1-\markup { "m" \super "add9" } % 1.3.5.9
}
chExceptions = #(append (sequential-music-to-chord-exceptions chExceptionMusic #t) ignatzekExceptions)
chordNames = \chordmode {
\set chordNameExceptions = #chExceptions
\set chordChanges = ##t % ##t(true) or ##f(false)
af1 af bf:m7 bf2:m7 df2:maj7
af1 af bf:m7 bf2:m7 af:/c df1:maj7 ef2:sus4 ef bf1:m7 ef2:sus4 ef
af1 af bf:m7 bf2:m7 df2:maj7
af1 af bf:m7 bf2:m7 af:/c df1:maj7 ef2:sus4 ef bf1:m7 ef2:sus4 ef
df1:maj7 df:maj7
gf gf f:m7 f:m7 ef:m7 ef:m7 df ef:sus4 df:/f ef:sus4 ef
af1 af bf:m7 df:maj7 af af bf:m7 df2:maj af:/c bf1:m7 ef:sus4 bf:m7 ef
}
melody = \relative c'{
% \set melismaBusyProperties = #'()
\time 4/4
\key af \major
\clef treble
\tempo 4 = 98
\override Score.MetronomeMark.padding = #3
c8 df ef g~g af~af4 c,8 df ef c g'4 af8 df,~df2 r2 r1
c8 df ef c g'4 af c,8 df8 ef c ef g af df,~df2 r2 r2
ef8 df c af | c4 df4 df4 c4 c8 bf af bf~bf4 c4
df8 ef df4 df c8 af c bf bf af af bf~bf4
\bar "||"
c8 df ef g~g af~af c,~c4 r8 ef g4 af8 af~af df,~df4 r2 r1
c8 df ef c g'4 af r4. ef8 g4 af8 af~af df,~df4 r2 r2
ef8 df c (af) c4 df4 df4 c4 c8 (bf) af bf~(bf c~c4)
df8 ef df4 df c c8 bf8 af af bf4 r4 r4. c8 c df ef af~af2 r2
\bar "||"
bf8 af bf c bf4 r4 bf8 af bf c bf af ef ef f f~f4 r8 ef ef c ef f~f4 r4. af8
bf8 af bf c bf af ef bf'~bf af bf (c) bf af af ef f2 f4 af8 af~af bf~bf4
af8 g ef f~f4. f8 f g af af~af bf bf2. r1
\bar "||"
af4. g8 ef4. c8 af'4 g ef8 c ef4 ef8 f8~f2 r4 r1
af4. g8 ef4. c8 af'4 g ef ef8 c ef f~f2 r4 r4.
ef8 ef df c4 c df8 df~df2 r4.
ef8 ef df c af c4 df8 df~df c~c bf~bf4 r4
c4 af8 f~f4 r4 df' 4 c bf af g af af2. r4 r1
\bar "|."
}
nothing = \lyricmode {}
verseone = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
Bro -- thers and sis -- ters, let us think in hu -- man terms:
E -- ven an a -- gree -- ment made be -- tween two per -- sons is firm.
Af -- ter that a -- gree -- ment is ac -- cep -- ted by both, no --
bo -- dy can stop it or add a -- ny -- thing to it.
God pro -- mised A -- bra -- ham and his des -- cen -- dant.
God did not say, “and to, to your des -- cen -- dants.”
That would mean ma -- ny peo -- ple. But God said,
on -- ly one per -- son: “to your de -- scen -- dant.”
That per -- son is Christ.
This is what I mean: God had an a -- gree -- ment with A -- bra -- ham;
pro -- mised to keep it.
The law, which came four hun -- dred and thir -- ty years la -- ter,
can -- not change that a -- gree -- ment and so
des -- troy God’s pro -- mise to A -- bra -- ham.
If the law could give us A -- bra -- ham’s bles -- sing,
then the pro -- mise would not be ne -- ces -- sa -- ry.
But that is not pos -- si -- ble,
be -- cause God free -- ly gave his bles -- sings to
A -- bra -- ham through the pro -- mise he had made.
}
versetwo = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "3."
}
versethree = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "3."
}
versefour = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "3."
}
versefive = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "4."
}
versesix = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
}
verseseven = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
}
verseeight = \lyricmode {
}
\score {
<<
\new ChordNames {
\chordNames
}
\new Staff
<<
\new Voice = "one" {
\melody
}
\addlyrics {
\verseone
}
\addlyrics {
\versetwo
}
\addlyrics {
\versethree
}
\addlyrics {
\versefour
}
\addlyrics {
\versefive
}
\addlyrics {
\versesix
}
\addlyrics {
\verseseven
}
\addlyrics {
\verseeight
}
>>
>>
\layout {
#(layout-set-staff-size 20)
\context {
\Score
% \override NonMusicalPaperColumn #'line-break-permission = ##f
%\consists #(line-break-every-nth-engraver 4)
}
}
\midi { }
}