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galatians-4-1-5.ly
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\language "english"
\version "2.18.2"
#(define (line-break-every-nth-engraver bars-per-line)
(lambda (context)
(make-engraver
(acknowledgers ((paper-column-interface engraver grob source-engraver)
(let ((current-bar (ly:context-property context 'currentBarNumber)))
(if (= (remainder current-bar bars-per-line) 1)
(if (eq? #t (ly:grob-property grob 'non-musical))
(set! (ly:grob-property grob 'line-break-permission) 'force)
(set! (ly:grob-property grob 'line-break-permission)
'())))))))))
\header {
title = "Galatians 4:1-5"
subtitle = "New Century Version"
composer = "Jason Silver"
poet = ""
copyright = "Silver Ink. 2021"
tagline = "Permission granted to share with attribution."
}
\paper {
top-margin = #10
bottom-margin = #4
right-margin = #12
left-margin = #12
indent = #0
%min-systems-per-page = 8 % this allows you to squish line spacing
% the distance between two systems in the same score:
system-system-spacing = #'((basic-distance . 15 ) (minimum-distance . 0) (padding . -.5 ) (stretchability . 00))
% the distance between the last system of a score and the first system of the score that follows it, when no (title or top-level) markup exists between them:
score-system-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0) (stretchability . 0))
% the distance between a (title or top-level) markup and the system that follows it:
markup-system-spacing = #'((basic-distance . 0) (padding . 0) (stretchability . 0))
% the distance between the last system of a score and the (title or top-level) markup that follows it:
score-markup-spacing = #'((basic-distance . 5) (padding . 0) (stretchability . 0))
% the distance between two (title or top-level) markups:
markup-markup-spacing = #'((basic-distance . 0) (padding . 0))
% the distance from the top of the printable area (i.e. the bottom of the top margin) to the first system on a page, when there is no (title or top-level) markup between the two:
top-system-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
% the distance from the top of the printable area (i.e. the bottom of the top margin) to the first (title or top-level) markup on a page, when there is no system between the two:
top-markup-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
% the distance from the last system or top-level markup on a page to the bottom of the printable area (i.e. the top of the bottom margin):
last-bottom-spacing = #'((basic-distance . 10 ) (minimum-distance . 0) (padding . 0) (stretchability . 0))
paper-width = 21.59\cm
paper-height = 27.94\cm
}
slashOn = {
\override Rest #'stencil = #ly:percent-repeat-item-interface::beat-slash
\override Rest #'thickness = #'0.48
\override Rest #'slope = #'1.2
\override Rest #'Y-offset = #'-.0
}
slashOff = {
\revert Rest #'stencil
}
LyricFontSize = #.5
lyricNote = {
% use \once \set melismaBusyProperties = #'(tieMelismaBusy) on the tie where the note sits
\once \override Lyrics.LyricText.font-shape = #'italic
\once \override Lyrics.LyricText.font-size = #.2
\once \override LyricText.self-alignment-X = #LEFT
}
lyricNotePlacement = {
\once \override NoteHead.stencil = #ly:text-interface::print
\once \override NoteHead.text = \markup \musicglyph #"rests.2"
\once \hide Stem
}
sectionTitle = #(define-music-function
(parser location theTitle)
(string?)
#{
\mark \markup { \large \bold \concat { " " #theTitle } }
#}
)
textRepeats = #(define-music-function
(parser location theTitle)
(string?)
#{
\once \override Score.RehearsalMark #'break-visibility = #'#(#t #t #f)
\mark \markup { \right-align \small #theTitle }
#}
)
GotoCoda = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#t #t #f)
\mark \markup { \small \musicglyph #"scripts.coda" }
}
Coda = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#f #t #t)
\mark \markup { \small \musicglyph #"scripts.coda" }
}
Segno = {
\once \override Score.RehearsalMark #'break-visibility = #'#(#f #t #t)
\mark \markup { \small \musicglyph #"scripts.segno" }
}
chExceptionMusic = {
<c d e g>1-\markup { "2" } % notate as 1.2.3.5
<c f g>1-\markup {"sus"}
<c a d g>1-\markup { "m2" } % 1.6.2.
<c e g d'>1-\markup { \super "add9" } % 1.3.5.9
<c ef g d'>1-\markup { "m" \super "add9" } % 1.3.5.9
}
chExceptions = #(append (sequential-music-to-chord-exceptions chExceptionMusic #t) ignatzekExceptions)
chordNames = \chordmode {
\set chordNameExceptions = #chExceptions
\set chordChanges = ##t % ##t(true) or ##f(false)
\set Staff.midiInstrument = #"piano"
\skip1 cs1:m e a gs:m cs:m e fs:m7 gs:m cs1:m e a gs:m cs:m e fs:m7 gs:m7 a:1.3.5.9 e fs:m7 d:1.2.3.5
a:1.3.5.9 e fs:m b2:/ds r2
e4. a8~a2 cs4.:m b8~b2 e4. a8~a2 cs4.:m b8~b2 e4. a8~a2 cs4.:m b8~b2 e4. a8~a2 cs4.:m b8~b2
}
melody = \relative c'{
\set Staff.midiInstrument = #"piano"
% \set melismaBusyProperties = #'()
\time 4/4
\key e \major
\clef treble
\tempo 4 = 110
%\set melismaBusyProperties = #'()
%\unset melismaBusyProperties
r8 e e e e8. ds16~ds8 cs8~ \bar "||" cs2 r2 | r8 e e e e8. ds16~ds8 cs8 cs cs cs cs cs8. b16~b8 gs8~gs8
e' e e e8. ds16~ds8 cs8~cs2 r2 | r8 e e e e fs gs a~a2 r2
r8 e e e e8. ds16~ds8 cs8~ \bar "||" cs2 r2 | r8 e e e e8. ds16~ds8 cs8~cs cs cs cs cs cs b8 gs8~gs8
e' e e e8. ds16~ds8 cs8~cs2 r2 | r8 e e e e fs gs a~a a a4 a8. gs16~gs8 fs8~fs2 r8 e e e \bar "||"
b'8 b b b b4 r4 b8 a gs fs~fs gs gs b, cs2 r8 e e cs e fs fs4 r4 e8 e
b'8. b16~b8 b8~b4 e, b'8 a gs fs~fs gs4 a8~a2 a4 b b2
r8 cs, e fs \bar "||" gs8. b,16~b8 cs8~cs4 r4 | gs'8 a gs fs~fs4 e8 fs | gs8 a gs fs e e fs gs~gs a gs fs r4 e8 fs
gs8. b,16~b8 cs8~cs4 e8 fs | gs8 a gs fs~fs4 e8 fs | gs8 a gs fs(e) e e fs gs a gs a gs fs8~fs4
\bar "|."
}
nothing = \lyricmode {}
verseone = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
I want to tell you this:
While those who will in -- her -- it their fa -- thers’ pro -- per -- ty
while they are chil -- dren still,
they are no diff -- 'rent from slaves.
It does not mat -- ter if
It does not mat -- ter if the chil -- dren own ev -- ery -- thing.
While they are chil -- dren, they,
they must o -- bey those are cho -- sen to care for them.
But when the chil -- dren reach the age set by their fa -- thers, they are free.
It is the same for us.
We were once like chil -- dren, slaves to the use -- less rules of this world.
But when the right time came,
God sent his Son
who was born of a wo -- man and lived un -- der the law.
God did this so he
could buy free -- dom for those
who were un -- der the law
and so we could be -- come his chil -- dren.
}
versetwo = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
}
versethree = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
%\set stanza = "3."
}
versefour = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "3."
}
versefive = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
\set stanza = "4."
}
versesix = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
}
verseseven = \lyricmode {
\override LyricText #'font-size = \LyricFontSize
}
verseeight = \lyricmode {
}
\score {
<<
\new ChordNames \with {midiInstrument = #"piano"} {
\chordNames
}
\new Staff
<<
\new Voice = "one" {
\melody
}
\addlyrics {
\verseone
}
\addlyrics {
\versetwo
}
\addlyrics {
\versethree
}
\addlyrics {
\versefour
}
\addlyrics {
\versefive
}
\addlyrics {
\versesix
}
\addlyrics {
\verseseven
}
\addlyrics {
\verseeight
}
>>
>>
\layout {
#(layout-set-staff-size 20)
\context {
\Score
% \override NonMusicalPaperColumn #'line-break-permission = ##f
%\consists #(line-break-every-nth-engraver 4)
}
}
\midi { }
}