Bidirectional Stereo Disparity from Professional Stereoscopic Cinema #659
DepthAuteur
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it sounds very attractive, could you please post some SBS examples ? |
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Hi there @nagadomi and all other enthusiastic 3D-folks,
I've been working on a fine-tuned S²M² model that produces both negative and positive disparity — trained exclusively on professionally produced native stereoscopic films spanning 70 years of cinema history (1953–2018).
Every existing stereo matching and monocular depth model outputs positive-only disparity. S²M²cinematic is the first public model that learns where objects belong in front of the screen plane (negative parallax) versus behind it, directly from the creative decisions of professional stereographers.
Results after 18 epochs (all achieved best validation ★): Sign-Loss reduced 4.2×, asymmetry ratios 0.95–1.00 on reference frames verified against a passive 3D monitor.
Code and full results: https://github.com/DepthAuteur/s2m2cinematic
No weights released (training corpus is copyrighted film material). The model serves as the ground truth engine for a planned 2D→3D conversion pipeline called Creative Cinematic Stereographing, in short CCS which is already prepared and ready for training :-). GitHub will follow.
Feedback welcome — especially from anyone working on stereoscopic conversion :-)
DepthAuteur
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