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| 1 | +--- |
| 2 | +title: The Scarlet Letter |
| 3 | +tags: |
| 4 | + - book |
| 5 | +--- |
| 6 | +## Chapter 1: The Prison-Door |
| 7 | +- Anne Hutchinson vs. Hester Prynne: both deviate from society, one good, one bad |
| 8 | + - nonetheless, in Ch. 2 Hester Prynne is described via a lot of religious imagery |
| 9 | + - page 51: reference to "a halo" |
| 10 | +- the rose parallels the scarlet letter |
| 11 | + - both born grown from shame (prison soil/adultery), both can potentially represent transformation(?) |
| 12 | +- first two buildings constructed are _graveyard_ and _prison_ |
| 13 | + - ways of enforcing divine law (death) or human law (imprisonment) |
| 14 | + - reflects how Puritans treat religion and law as one and the same |
| 15 | + |
| 16 | +## Chapter 2: The Market-Place |
| 17 | +- this chapter serves to establish a lot of setting |
| 18 | + - Puritan demeanor: narrator says they might as well be witnessing someone's execution |
| 19 | + - vicious jealousy from other women in town |
| 20 | + - location: the market-place |
| 21 | +- not-so-subtle comparison of Hester to the Virgin Mary |
| 22 | +- the flashback scene is pretty incredible IMO |
| 23 | + |
| 24 | +## Chapter 3: The Recognition |
| 25 | +- interesting misdirection with the Indian man at the start; helps build suspense |
| 26 | + for reveal of the husband |
| 27 | + - I thought having a townsman explain his _own_ backstory to him (since he's pretending to be a stranger) was a pretty clean and clever narrative choice |
| 28 | +- also suspense w/ Dimmesdale |
| 29 | + - parallels drawn to Hester, seems to want to retreat into the crowd/"shadows" |
| 30 | + - could he be...? |
| 31 | + |
| 32 | +## Chapter 4: The Interview |
| 33 | +- some very nice characterization of the husband |
| 34 | + - highly rational, as expected of such a scholar |
| 35 | + - says he doesn't want to kill Hester because he thinks it's a worse punishment |
| 36 | + forcing her to _live_ with her mark of shame |
| 37 | + - lots of fire imagery |
| 38 | +- at the end, allusion to Hester making a deal with the devil (the Black Man/her husband) |
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