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Mixxx Custom Effects Presets

Ethereal Ascend Preset ๐ŸŽค

Glow II Preset ๐Ÿ†• ๐ŸŽค๐ŸŽน๐Ÿฅ

Linger T3 Preset ๐Ÿšง

NGC 5194 Preset ๐ŸŽน๐ŸŽธ๐Ÿฅ ๐ŸŽผ

NS-5 Preset ๐ŸŽค๐ŸŽน๐ŸŽธ

NS-7 Preset ๐ŸŽค๐ŸŽน๐ŸŽธ

Smooth Transition Preset ๐ŸŽผ

Submerged Preset ๐ŸŽผ

Vocal Boost II Preset ๐Ÿ†• ๐ŸŽค

Wah-wahish Preset ๐ŸŽค๐ŸŽน๐ŸŽธ๐Ÿฅ

We Come In Peace Preset ๐Ÿ†• ๐ŸŽน๐ŸŽธ๐Ÿฅ ๐ŸŽผ

Ethereal Ascend Preset

Use case: This could be used to create a dynamic ethereal and floating effect. Best used for vocals. Twist super knob back and forth to create the effect.

Recommended: ๐ŸŽค - :vox:

Effect Chain Configuration

Name: Ethereal Ascend

Mix Mode: DRY+WET

Super Parameter Value: 1 (Fully wet, emphasizing the effects)

Effects

  1. Pitch Shift
  • Enabled Parameter Value: 1
  • Parameters:
    • Pitch: Linked (Slightly lowering the pitch to create a more ethereal tone)
    • Range: Linked (Extended range for pitch shifting, allowing for more dramatic changes)
    • Semitones Mode: 1 (Enabled to shift in semitones)
    • Formant Preserving: 0 (Disabled to allow for more dramatic pitch changes)
    • LinkType: Pitch and Range(inverted) are linked, meaning adjusting one will affect the other. This could be used to create a dynamic, smooth transition effect when twisting a knob.
  1. Reverb
  • Enabled Parameter Value: 1
  • Parameters:
    • Decay: 0.8 (Long decay time for a haunting echo)
    • Bandwidth: 0.5 (Narrow bandwidth to reduce high-frequency ringing)
    • Damping: 0.7 (High damping to soften the reverb)
    • Send Amount: 0.6 (Moderate send amount to add ambiance)
    • LinkType: None, each parameter is independent.
  1. Filter
  • Enabled Parameter Value: 1
  • Parameters:
  • LPF (Low Pass Filter): Linked (Moderate cutoff to add a mellow, ethereal tone)
    • Q (Resonance): 0.5 (Reduced resonance for a smoother filter response)
    • HPF (High Pass Filter): Linked (Low cutoff to remove some low frequencies for clarity)
    • LinkType: LPF is linked to the left channel, and HPF is linked to the right channel, allowing for dynamic control over the cutoff frequencies.

Glow II Preset

Use case: This could be used to add air and a gentle shimmer: two parametric bands lift presence and brilliance, a slight downward pitch shift (with formant preservation) thickens the tone, and reverb send follows the super knob so you can swell ambient bloom without drowning the dry signal.

Recommended: ๐ŸŽค - :vox: ๐ŸŽน - :synths: ๐Ÿฅ - :drums:

Effect Chain Configuration

Name: Glow II

Mix Mode: DRY/WET

Super Parameter Value: 0 (Dry bias at rest; adjust for wet/dry balance)

Effects

  1. Parametric EQ
  • Enabled Parameter Value: 0
  • Parameters:
    • Gain (Band 1): 3.5 (Boost at the first band center)
    • Q (Band 1): 2 (Moderately narrow band)
    • Center (Band 1): 2800 Hz (Upper-mid / presence lift)
    • Gain (Band 2): 2.5 (Boost at the second band center)
    • Q (Band 2): 1.5 (Slightly wider band)
    • Center (Band 2): 9000 Hz (High-frequency air and sparkle)
    • LinkType: None; bands are set independently.
  1. Pitch Shift
  • Enabled Parameter Value: 0
  • Parameters:
    • Pitch: Linked (Subtle shift; target value โˆ’1 semitone in semitone mode)
    • Range: 0
    • Semitones Mode: 1 (Enabled)
    • Formant Preserving: 1 (Enabled to keep timbre stable)
    • LinkType: Pitch is linked for macro control with the super knob.
  1. Reverb
  • Enabled Parameter Value: 0
  • Parameters:
    • Decay: 0.48 (Medium-long tail)
    • Bandwidth: 0.88 (Fairly open high end in the reverb)
    • Damping: 0.32 (Moderate high-frequency rolloff in the tail)
    • Send Amount: Linked (Starts at 0; rides up with the super knob for controlled ambience)
    • LinkType: Send Amount is linked so reverb depth follows the super knob.

Linger T3 Preset

Use case: ๐Ÿšง

NGC 5194 Preset

Use case: This could be used to create captivating, and immersive galactic wormhole effect, perfect for enhancing transitions or building excitement in your mixes.

Recommended: ๐ŸŽน - :synths: ๐ŸŽธ - :bass: ๐Ÿฅ - :drums:

๐ŸŽผ - :Any:

Effect Chain Configuration

Name: NGC 5194

Mix Mode: DRY/WET

Super Parameter Value: 1 (Fully wet, emphasizing the effects)

Effects

  1. Flanger
  • Enabled Parameter Value: 1 (Maximum intensity for the flanger effect)
  • Parameters:
    • Speed: 10 (Faster speed for a more pronounced swirling effect)
    • Width: 8 (Increased width for a wider, more dramatic effect)
    • Manual: 5 (Manual control for fine-tuning)
    • Regen: 0.5 (Moderate regeneration for a sustained effect)
    • Mix: 1 (Full mix to emphasize the flanger effect)
    • Triplet: 0 (No triplet effect)
    • Stereo: 1 (Stereo effect for a more immersive sound)
    • LinkType: Mix is linked to ensure the flanger is fully integrated.
  1. Echo
  • Enable Parameter Value: 1
  • Parameters:
    • Delay Time: 0.2 (Short delay time for a subtle echo)
    • Feedback Amount: 0.5 (Moderate feedback for a sustained echo)
    • Pingpong Amount: 0.5 (Ping pong for a stereo effect)
    • Send Amount: 0.7 (Increased send amount for more pronounced echo)
    • Quantize: 1 (Quantized timing for rhythmic echo)
    • Triplet: 0 (No triplet effect)
    • LinkType: Send Amount is linked to ensure the echo is fully integrated.
  1. Reverb
  • Enabled Parameter Value: 1
  • Parameters:
    • Decay: 1 (Longest decay time for a spacious reverb tail)
    • Bandwidth: 1 (Full bandwidth to retain all frequencies)
    • Damping: 0 (No damping to allow high-frequency content to ring out clearly)
    • Send Amount: 1 (Maximum send amount to fully incorporate the reverb effect)
    • LinkType: Decay is linked to the left channel, which could be used to control the reverb tail length dynamically.

NS-5 Preset

Use case: Creates a robotic lite like effect. This could be used to create a rolling, spacey build-up or transition effect.

Recommended: ๐ŸŽค - :vox: ๐ŸŽน - :synths: ๐ŸŽธ - :bass:

Effect Chain Configuration

Name: NS-5

Mix Mode: DRY/WET

Super Parameter Value: 0.503937 (About halfway wet, balancing the dry signal with the effects)

Effects

  1. Echo
  • Enabled Parameter Value: 0.692913
  • Parameters:
    • Delay Time: 0.217103 (Short delay time for a tight, rhythmic repeat)
    • Feedback Amount: 0.707946 (High feedback so repeats build and linger)
    • Pingpong Amount: 0 (No stereo ping-pong movement)
    • Send Amount: Linked (Controls how much echo is applied)
    • Quantize: 1 (Quantized timing for rhythmic repeats)
    • Triplet: 1 (Triplet timing for a rolling feel)
    • LinkType: Send Amount is linked to ensure the echo intensity follows the super knob.
  1. Reverb
  • Enabled Parameter Value: 0.692913
  • Parameters:
    • Decay: 0.5 (Medium decay time for a spacious tail)
    • Bandwidth: 1 (Full bandwidth to retain all frequencies)
    • Damping: 0 (No damping to keep the reverb crisp and bright)
    • Send Amount: Linked (Controls how much reverb is applied)
    • LinkType: Send Amount is linked to ensure the reverb intensity follows the super knob.
  1. Moog Ladder 4 Filter
  • Enabled Parameter Value: 0.692913
  • Parameters:
    • LPF (Low Pass Filter): Linked (Filter sweep shaping the high end)
    • Resonance: 1.2 (Increased resonance for a more pronounced sweep)
    • HPF (High Pass Filter): Linked (Filter sweep shaping the low end)
    • LinkType: LPF is linked to the left channel, and HPF is linked to the right channel, allowing the super knob to shape both ends of the spectrum.

NS-7 Preset

Use case: Creates a heavy robotic like effect. This could be used to create a rolling, spacey build-up or transition effect.

NS-7 Preset โš ๏ธ :caution: (experimental may require lower EQ gains if it gets harsh).

Recommended: ๐ŸŽค - :vox: ๐ŸŽน - :synths: ๐ŸŽธ - :bass:

Effect Chain Configuration

Name: NS-7

Mix Mode: DRY/WET

Super Parameter Value: 0.692913 (More wet than dry, emphasizing the effect chain)

Effects

  1. Echo
  • Enabled Parameter Value: 0.692913
  • Parameters:
    • Delay Time: 0.217103 (Short delay for tight, rhythmic repeats)
    • Feedback Amount: 0.707946 (High feedback so repeats build and linger)
    • Pingpong Amount: 0 (No stereo ping-pong)
    • Send Amount: Linked (Controls how much echo is applied)
    • Quantize: 1 (Quantized timing for rhythmic repeats)
    • Triplet: 1 (Triplet timing for a rolling feel)
    • LinkType: Send Amount is linked to ensure the echo intensity follows the super knob.
  1. Reverb
  • Enabled Parameter Value: 0.692913
  • Parameters:
    • Decay: 0.5 (Medium decay time for a spacious tail)
    • Bandwidth: 1 (Full bandwidth to retain all frequencies)
    • Damping: 0 (No damping to keep the reverb crisp and bright)
    • Send Amount: Linked (Controls how much reverb is applied)
    • LinkType: Send Amount is linked to ensure the reverb intensity follows the super knob.
  1. Echo (Stereo)
  • Enabled Parameter Value: 0.692913
  • Parameters:
    • Delay Time: 0.215555 (Very similar timing for layered repeats)
    • Feedback Amount: 0.707946 (High feedback to sustain the echo wash)
    • Pingpong Amount: 0.431305 (Adds left-right bounce for wider stereo repeats)
    • Send Amount: Linked (Controls how much echo is applied)
    • Quantize: 1 (Quantized timing)
    • Triplet: 1 (Triplet timing)
    • LinkType: Send Amount is linked to ensure this echo layer also follows the super knob.

Smooth Transition Preset

Use case: This could be used to create a dynamic, smooth transition effect when rotating super knob.

Recommended: ๐ŸŽผ - :Any:

Effect Chain Configuration

Name: Smooth Transition

Mix Mode: DRY/WET

Super Parameter Value: 1 (Fully wet, emphasizing the effects)

Effects

  1. Bitcrusher
  • Enabled Parameter Value: 1
  • Parameters:
    • Bit Depth: Linked
    • Downsample: Linked (Extremely low downsample rate, further distorting the sound and creating a smooth, grainy texture)
    • LinkType: Both parameters are linked and inverted.
  1. Moog Ladder 4 Filter
  • Enabled Parameter Value: 1
  • Parameters:
    • LPF (Low Pass Filter): Linked (Extremely low cutoff, severely cutting off high frequencies and leaving only the lowest bass tones)
    • Resonance: 1.54534
    • HPF (High Pass Filter): 0.0304851 (Low cutoff, removing some very low frequencies but allowing the bass to pass through)
    • LinkType: The LPF is linked and inverted, meaning adjusting it will inversely affect the cutoff frequency, potentially creating a smooth transition from heavy distortion to more open tones.
  1. Reverb
  • Enabled Parameter Value: 1
  • Parameters:
    • Decay: Linked
    • Bandwidth: 1 (Full bandwidth, retaining all frequencies in the reverb)
    • Damping: 0 (No damping, allowing high-frequency content to ring out clearly)
    • Send Amount: Linked
    • LinkType: Decay is linked to the left channel, which could be used to control the reverb tail length dynamically.

Submerged Preset

Use case: This could be used to create a captivating underwater or submerged environment, perfect for enhancing transitions or building suspense in your mixes.

Recommended: ๐ŸŽผ - :Any:

Effect Chain Configuration

Name: Submerged

Mix Mode: DRY+WET

Super Parameter Value: 0.866142 (Balanced mix of original and processed signals)

Effects

  1. Bitcrusher
  • Enabled Parameter Value: 1
  • Parameters:
    • Bit Depth: 10 (Faster speed for a more pronounced swirling effect)
    • Downsample: 1 (Standard downsample rate, maintaining clarity while adding a subtle texture)
    • LinkType: Both parameters are linked and inverted, meaning adjusting one will inversely affect the other. This could be used to create a dynamic, smooth transition effect when twisting a knob.
  1. Moog Ladder 4 Filter
  • Enable Parameter Value: 1
  • Parameters:
    • LPF (Low Pass Filter): 0.5 (Midrange cutoff, allowing mid and low frequencies to pass through)
    • Resonance 1.54534 (Increased resonance to emphasize the remaining frequencies and add a rich, resonant tone)
    • HPF (High Pass Filter): 0.0003 (Extremely low cutoff, removing very low frequencies but allowing the bass to pass through)
    • LinkType: The LPF is linked and inverted, meaning adjusting it will inversely affect the cutoff frequency, potentially creating a smooth transition from heavy distortion to more open tones.
  1. Reverb
  • Enabled Parameter Value: 1
  • Parameters:
    • Decay: 0 (Shortest decay time, creating a subtle reverb tail)
    • Bandwidth: 1 (Full bandwidth to retain all frequencies)
    • Damping: 0 (No damping to allow high-frequency content to ring out clearly)
    • Send Amount: 0 (Minimum send amount, minimally incorporating the reverb effect)
    • LinkType: Decay is linked to the left channel, which could be used to control the reverb tail length dynamically.

Vocal Boost II Preset

Use case: Preset can be used to shapes vocals (or lead lines) for clarity and cut in a dense mix: parametric bands emphasize presence and tame low-mud, the graphic EQ fine-tunes the mid spectrum.

Recommended: ๐ŸŽค - :vox:

๐ŸŽน - :synths: ๐ŸŽธ - :bass: ๐Ÿฅ - :drums: ๐ŸŽผ - :Any:

Effect Chain Configuration

Name: Vocal Boost II

Mix Mode: DRY+WET

Super Parameter Value: 0.818898 (Strong wet blend; presence EQ and shaping are clearly audible)

Effects

  1. Parametric EQ
  • Enabled Parameter Value: 1
  • Parameters:
    • Gain (Band 1): Linked (Presence boost follows the super knob)
    • Q (Band 1): 1.5
    • Center (Band 1): 2000 Hz (Presence / intelligibility region)
    • Gain (Band 2): โˆ’3 (Cut at the second band center)
    • Q (Band 2): 1.5
    • Center (Band 2): 500 Hz (Low-mid shaping to reduce boxiness)
    • LinkType: Gain (Band 1) is linked so the main presence boost tracks the super knob.
  1. Graphic EQ
  • Enabled Parameter Value: 1
  • Parameters:
    • Low: โˆ’3 (Slight low-end reduction)
    • Mid0: 0
    • Mid1: 3 (Boost)
    • Mid2: โˆ’2 (Cut)
    • Mid3: 0
    • Mid4: 0
    • High: 0
    • LinkType: None; static graphic shaping.
  1. Three Band Biquad EQ
  • Enabled Parameter Value: 1
  • Parameters:
    • Low: 0
    • Mid: 2 (Additional mid emphasis)
    • High: 0
    • Kill Low / Mid / High: 0 (No band kills)
    • LinkType: None; broad three-band tone stack on top of the other EQs.

Wah-wahish Preset

Use case: This could be used to create a classic wah-wahโ€“like sweep with stereo motion and a light metallic swirl. Twist the super knob to sweep the filter band; autopan adds side-to-side movement and the flanger thickens the midrange.

Recommended: ๐ŸŽค - :vox: ๐ŸŽน - :synths: ๐ŸŽธ - :bass: ๐Ÿฅ - :drums:

Effect Chain Configuration

Name: Wah-wahish

Mix Mode: DRY/WET

Super Parameter Value: 0.5 (Half wet, balanced blend of dry and processed signal)

Effects

  1. Filter
  • Enabled Parameter Value: 0.5
  • Parameters:
    • LPF (Low Pass Filter): 203.262 (Low cutoff in Hz, darkening the top end; linked for sweep)
    • Q (Resonance): 0.707107 (Moderate Q for a smooth, musical peak)
    • HPF (High Pass Filter): 21.2197 (Low cutoff in Hz, letting lows through; linked for sweep)
    • LinkType: LPF is linked to the left channel, and HPF is linked to the right channel, so the super knob drives a band-passโ€“style sweep similar to a wah pedal.
  1. Autopan
  • Enabled Parameter Value: 0.5
  • Parameters:
    • Period: 4 (Slower LFO cycle for a gentle left-right motion)
    • Smoothing: 0.5 (Moderate smoothing between pan positions)
    • Width: 0.298093 (Narrower stereo width for subtle movement)
    • LinkType: None on these parameters; pan motion is fixed for a steady rhythmic sway.
  1. Flanger
  • Enabled Parameter Value: 0.5
  • Parameters:
    • Speed: 5.80419 (Moderate modulation rate)
    • Width: 4.94002 (Moderate comb-filter sweep width)
    • Manual: 4.96847 (Manual offset for the sweep character)
    • Regen: 0.25 (Light feedback for a mild metallic emphasis)
    • Mix: 0.5 (Half wet; flanger sits under the dry signal)
    • Triplet: 0 (Straight timing, not triplet)
    • LinkType: None; flanger depth and tone stay stable while filter and pan carry the motion.

We Come In Peace Preset

Use case: This could be used to create โ€œalien transmissionโ€ fills, sciโ€‘fi builds, or to chop a vocal/lead rhythmically while the super knob controls how deep the echo send and phaser depth go.

Recommended: ๐ŸŽค - :vox: ๐ŸŽน - :synths: ๐ŸŽธ - :bass: ๐Ÿฅ - :drums: ๐ŸŽผ - :Any:

Effect Chain Configuration

Name: We Come In Peace

Mix Mode: DRY/WET

Super Parameter Value: 0.5 (Balanced wet/dry starting point)

Effects

  1. Glitch
  • Enabled Parameter Value: 0.55
  • Parameters:
    • Delay Time: 0.2
    • Quantize: 1 (On; stutters lock to beat grid)
    • Triplet: 0
    • LinkType: None; glitch timing stays fixed.
  1. Echo
  • Enabled Parameter Value: 0.6
  • Parameters:
    • Delay Time: 0.15
    • Feedback Amount: 0.5
    • Pingpong Amount: 0.75 (Wide stereo bounce)
    • Send Amount: Linked (Echo intensity follows the super knob)
    • Quantize: 1 (On; repeats lock to beat grid)
    • Triplet: 0
    • LinkType: Send Amount is linked so echo depth tracks the super knob.
  1. Phaser
  • Enabled Parameter Value: 0.5
  • Parameters:
    • LFO Period: 2.5
    • Feedback: 0.35
    • Range: 1
    • Stages: 7
    • Depth: Linked (Phaser depth follows the super knob)
    • Triplet: 0
    • Stereo: 1 (Stereo phaser)
    • LinkType: Depth is linked so phaser intensity tracks the super knob.

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