Projects
Note: if you have lots of information, create a special page for it!
Note 2: images need to be uploaded somewhere and then linked here. I know this is inconvenient, so next time I'll find a little more friendly system. You can send me your info if you like and I'll update the wiki.
This Hack is a inverted surveillance system, a transparent camera that makes invisible the ones that pass through it’s field of view. It’s an anonymous spot in the public space, an island of freedom. The massive application of this concept in the streets will produce very interesting results. This new enviroment of anonymous freedom will make people behave in different and new ways as we are used to see. But we will not see them, because they are invisible...
More info on: Invisibility Surveillance Camera
What if the Gemeente Museum (English: Municipal Museum)in Den Haag (the Netherlands) decided to change their format completely from that of showing works from various masters of art to that of showing artwork done by the actual people who live in the municipality of Haaglanden (which includes the Hague and a number of other small cities and towns)?. What if the way they introduced this concept was to invite the public to show up with their works and come together in a kind of town-meeting meets party meets art-exchange type event? Would this reduce the "quality" the museum strives for? Would this actually reflect the feeling and true "pulse" of the municipality? Would the public of the municipality have a renewed interest in the museum?
In class I presented a short slide show with a cultural hack that I did in Cardiff Wales. I posed as an artist participating in Experimentica 2012 performance festival, and was allowed to participate in a live radio show. Only when we were on air did I reveal that my proposal for the festival was rejected.
The posters show pictures of people anonymously shot from the neck down. They are holding paper sheets displaying their stories in few sentences in their hands. All the experiences are related to rumors about HIV/AIDS and their results. By addressing the problems to public space awareness in thinking and acting is supposed to be created. In this way an open discourse creating changes in attitudes can evolve. The reactions (public dicussion about rumors and young people went to HIV Tests) on the campaign show that it does have a certain impact. In another step we attempt to broaden the sphere of influence.
In the movie four women speak about their lives. Not all of them are infected but they made experiences with HIV/AIDS that changed their lives. Comprehensibly expressed HIV doesn't only appear in the form of a virus but in peoples fear as well. The rumors circulating in the area have negative effects on the society, Tabooing, stigmatisation and violence are the results the women got confronted with. Social workers speak about the experiences they made with their work. Despite positive tendencies the fear of people remains a strong opponent in the fight against HIV/AIDS.
We pursue a communication strategy based on changing attitudes towards a certain topic without being missionary. We believe that changes in thinking in a community can only originate from the very community and take time.
Trailer: http://vimeo.com/42765138 Website: http://www.whisperdownthelane.com
For my end exam plan presentation I wanted to show that I can influence people with a table. So I hacked the setting we are normally in, in such a presentation. I arranged the tables chairs and stools in a different way and I made a table setting; deciding who would sit on what kind of chair/stool (solid or instable, high or low) at what kind of table (small or large, high or low), how close together and next to who. I also added an obstacle on the table and during my talk I changed place, sometimes being very visible and able to talk to the group, sometimes only talking to a few people. Resulting in a different experience of my presentation for everyone.
###Urban Voids
The process of urban change can be considered a heterogeneous principle, in which objects that embody the architectural environment appear, disappear or sometimes reappear. Aside from 'external influences', the urban landscape is principally subject to actions of its users (or movers better), who, by employing constructionist, deconstructionist or reconstructionist practices, change spatial conditions and thus directly influence the structures that constitute 'the city' as a total concept -both in a phenomenalistic as in a geographical way-.
Taking into consideration the needs and desires of those living in the city, a functional perspective onto urban organisation becomes essential. Whilst departing from an intentional notion, all space possesses the potential of embodying plan. In this perspective spaces are 'transcodable' entities, receptive to plan. The praxis of changing spatial properties becomes apparent in the purposing, de-purposing or re-purposing of places.
As a result of financial fiasco's, administrative failures, legal obscurity and/or political impotence, 'urban voids' occasionally occur as desolate blind spots in the city. Urban voids; geographical and social vacuums, exist in the midst of the build environment. The exclusion of abandoned land from the urban landscape, intentionally made inaccessible for the public -an evident example of de-purposing- raises questions amongst people on the meaning of such desolate places and if and how re-purposing could lead to social improvement.
On November 13, we went with some of the C(ultural) HACK(ing) ArtScience students to the Clioplein in The Hague.
What immediately jumped into my head was the philosophical architectonic principle described by the English philosopher Jeremy Bentham. A panoptic building consists of a tower with rings of cells around it. They have two windows: one on the outside and one to the tower. One supervisor in the tower is sufficient enough to monitor, identify and manage all the residents. The panopticon is part of an ordered society that makes everything visible and controlled. The model operates in institutions that people form and socialize. According to Bentham, it is useful "to know and master the overall living conditions of a certain number of people"
The whole complex in The Hague seemed built with safety in mind. Next to the clioplein there was a huge keyhole.
On the clioplein I found an indication for a parking place with HELICON on.
A plan for a cultural hack seemed clear.
For a simple unobserved Cultural Hack I had to remove the letters H, E and L, and instead add A, N, O, P, T.
So I did => two days later I was subtly scratching off the three letters.
Half of the letter H was loose, when suddenly a ferocious inhabitant of the clioplein came up to me:
- "WHAT ARE YOU DOING?!" He asked.
- "I like the texture, it's interesting." I responded.
- "IF ANYTHING HAPPENS TO THE DOOR I KNOW HOW I CAN FIND YOU, BELGIAN BOY"
- "THERE IS A CAMERA THERE AND THERE" he showed me in a brutal way.
Totally impressed I got out of the panopticon and realized that there is no central guard in a 21th century panoticon. The panopticon reversed so it seemed. All the inhabitants in the circle are controlling their neighbours and the central square now.
a choreographed space moving throughout the KABK building. Video coming soon. Please read more here.
In the Netherlands, all public phone booths have been removed in 2011. A
private company is now exploiting some booths in bigger cities, but they
go unnoticed because they double as advertising abris. Through a hack I
want to draw attention to these kind of obsolete spaces of static vintage
communication teleportals as opposed to the very much integrated ‘life is
all dynamics’ style of mobile devices everywhere. The initial plan was to
call the booth itself, and to play a sonic message to the curious
passer-by who answers the phone. After contacting RBL Telecom, they stated
that it is not possible to call their phones, because the machines have no
ringer installed (and a top secret number). Unnoticed and silent – I
figured adding the sound of a phone ringing would already have some
effect.
I fashioned a ringer device (see photos; speaker, amp, mp3 player) and
placed this in the phone booth. Although the sound still was a bit on the
soft side to compete with the soundscape of the street, the booth started
attracting some attention. People were looking at it, acting surprised,
one person checked inside. To elaborate further, an option would be to
make use of a real vintage telephone ringer, and have it be remote
controlled for more interactivity. Then it would be extra fun to then
narrate something through the actual phone after somebody answers; the
whole hack in premium package form would probably have been easier to
execute if the phone booth had the possibility to just call it.
Video documentation of the hack in action.
related hacks:
Evan Roth – Free Speech
Basta – Mobistar