The Hacking Method

The Hacking Method

Hacking as an activity combines different elements, it is an explorative practice that attempts to find out about how systems work (on any level) in order to change it. It does this by using any method that produces results, whether these are systematic methods or playful probes to just see what happens. Düllo: “Hacking produces experimental research methods for a precise and calculated intervention in the system, also when from point of the system these seem irregular or unprofessional. In reality such an intervention is more likely artistic. That is to say the hacker merges the (analytic-systematic) practice of the engineer and scientist with the (creative-playful) practice of the artist.” (Düllo and Liebl 2005, p.29)

Many contemporary (media) artworks merge engineering, science and art. It is a type of practice that draws elements from these three disciplines without being seated firmly within any of these particular disciplines because it often negates the well established principles and methods of these disciplines.

Stephen Wilson in “Information Arts” argues for an overlap of the disciplines of art, science and technology as an intersection. (Wilson 2002) It can also be argued a space in between these disciplines exist because methods and outcomes are too irregular and unprofessional to be viewed as part of these disciplines. Perhaps a nitpicking argument, but it underlines the discipline agnostic nature of this type of practice, where “hacking” is clearly situated within. It not just provides a clear context for the research / work, but also provides methods and strategies for further exploration.

The basic premise of hacking as a method is a loose way of shaping something to one’s liking. This can involve relentless hammering or precisely placed blows to put something into shape. Hacking is characterized by exploiting the unknown consequences of probing a system, the results can be surprising and when done consciously provide "wild pleasure".